Several
years ago, I was a big fan of a fantasy author named Katherine Kurtz. I
absolutely loved the world she created and had a huge crush on one of her
characters. But Ms. Kurtz had the annoying habit of making me seriously care
about a major character, then killing him or her off in the most tragic way
possible.
I
quit reading her books because that wasn’t what I wanted. I wanted a story that
took me on an adventure and made me think about the world in a new way, but I
didn’t want my heart ripped out in the process. Her books just weren’t safe.
By
“safe” fiction, I don’t mean free of sex or violence or bad language. I mean
that the reader can read with confidence that even though things may get rough
and the obstacles may seem insurmountable, the major characters will make it
through okay.
It’s
the difference between Scrubs and Grey’s Anatomy, between an Adam Sandler movie
and a Nicholas Sparks adaptation. You know J. D. isn’t going to die in a fiery
plane crash, but practically everyone did on Grey’s Anatomy. Nobody is safe on
that show. Well, maybe Meredith Grey will make it because they’d have to change
the name or end the series if she died. Hmmm. Expect that to happen in the
series finale.
One
reason why the romance genre is so popular is the guaranteed happily ever
after. No matter what the characters go through, the couple will make amends,
discover the truth, or just get over themselves and love each other forever.
The hero isn’t going to die in a tragic carriage accident, nor is the heroine
going to die in childbirth. They are safe.
Other
genres also have their code of safety. In a mystery, the detective may get hurt
but always lives to detect another day. The mystery gets solved and justice is
served. When one leaves this safe territory, the book ceases to be a mystery
and becomes a book with mystery elements. The same with a spy novel. Who wants
a book where the evil Dr. X actually kills the spy with sharks wearing lasers
on their heads and conquers the world? Unless the book isn’t about that spy at
all, but about the villain or the ragtag team of “Mystery Men” who eventually
save the day.
Some
people denigrate “safe” books. They claim that there is some greater literary
value in killing characters off and jerking people’s emotions around. I
absolutely disagree. For instance, The Artist garnered rave critical reviews
for its examination of popular culture and the veneration of fame – and even
did it silent! But at the risk of spoiling (just go la-la-la with your eyes to
the next paragraph if you haven’t seen it yet) nobody has to die to do it. (I
hope you went la-la-la ‘cause if you didn’t you’re going to hate my freaking
guts when you watch it.)
I personally believe that genre does not dictate quality. Jane Austen is about as safe as you can get, but her books reveal the human experience in ways that are still pertinent to readers two hundred years after their initial publication. “Safe” book hating elitists can just kiss my you know what!
So,
to all you lovers of safe books, I say huzzah! Stand up for your right to enjoy
your reads and feel comforted by them instead of pummeled! Meanwhile, I’m going
to keep writing them!
